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Fashion Faux Parr presents, for the first time in a single volume, Martin Parr’s collection of fashion photography. Featuring over 250 color images, many previously unpublished, it explores a wide range of work: editorial collaborations with prestigious magazines and fashion houses such as Vogue, Balenciaga, and Gucci; candid backstage shots at major events; and portraits of industry icons.

Two essays by influential figures in the field, Patrick Grant and Tabitha Simmons, shed light on Martin Parr’s unique perspective on the fashion world and place it within a broader context. This book is the only one entirely devoted to Martin Parr’s highly original approach in this domain, blending commissioned and personal photos, as well as reproductions of his reports published in Vogue and other international fashion magazines.

Martin Parr (born 1952) is an iconic British photographer and a member of Magnum Photos since 1994, renowned for his satirical view of contemporary societies. His distinctive style—saturated colors, harsh flashes, and tight framing—humorously depicts social clichés and the paradoxes of global consumerism. Among his major projects are The Last Resort (1986), focusing on British mass tourism, and Luxury (2019), critiquing opulence, cementing his reputation as a sharp, mischievous observer of our times.

","Fashion Faux Parr presents, for the first time in a single volume, Martin Parr’s collection of fashion photography. Featuring over 250 color images, many previously unpublished, it explores a wide range of work: editorial collaborations with prestigious magazines and fashion houses such as Vogue, Balenciaga, and Gucci; candid backstage shots at major events; and portraits of industry icons.Two essays by influential figures in the field, Patrick Grant and Tabitha Simmons, shed light on Martin Parr’s unique perspective on the fashion world and place it within a broader context. This book is the only one entirely devoted to Martin Parr’s highly original approach in this domain, blending commissioned and personal photos, as well as reproductions of his reports published in Vogue and other international fashion magazines.Martin Parr (born 1952) is an iconic British photographer and a member of Magnum Photos since 1994, renowned for his satirical view of contemporary societies. 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In the form of an actual map of Paris, Martin Parr invites us to follow him through the city.
Over the course of three years, at the request of the European House of Photography (EHP), Martin Parr turned his lens toward Parisians and Paris itself—photographing the Champs-Élysées, tourists, Bastille Day celebrations, fashion shows, the Paris Air Show at Le Bourget, Paris Plages, museums, art fairs, the Agricultural Show, and more.

The result is a collection of around forty previously unpublished images, along with a few essential earlier shots, that together capture the spirit of everyday life and deliver a vivid slice of Parisian atmosphere. All photographs are in color.

Martin Parr (born 1952) is an iconic British photographer and a Magnum Photos member since 1994, renowned for his satirical take on contemporary societies. His distinctive style—saturated colors, harsh flash, and tight framing—humorously exposes social clichés and the contradictions of global consumer culture. Major projects such as The Last Resort (1986), focusing on British mass tourism, and Luxury (2009), critiquing excess and affluence, have cemented his reputation as a sharp, mischievous observer of our times.

","In the form of an actual map of Paris, Martin Parr invites us to follow him through the city.Over the course of three years, at the request of the European House of Photography (EHP), Martin Parr turned his lens toward Parisians and Paris itself—photographing the Champs-Élysées, tourists, Bastille Day celebrations, fashion shows, the Paris Air Show at Le Bourget, Paris Plages, museums, art fairs, the Agricultural Show, and more.The result is a collection of around forty previously unpublished images, along with a few essential earlier shots, that together capture the spirit of everyday life and deliver a vivid slice of Parisian atmosphere. All photographs are in color.Martin Parr (born 1952) is an iconic British photographer and a Magnum Photos member since 1994, renowned for his satirical take on contemporary societies. His distinctive style—saturated colors, harsh flash, and tight framing—humorously exposes social clichés and the contradictions of global consumer culture. Major projects such as The Last Resort (1986), focusing on British mass tourism, and Luxury (2009), critiquing excess and affluence, have cemented his reputation as a sharp, mischievous observer of our times.",[422],{"_23":123,"_124":423},[424],{"_23":127,"_128":425,"_158":-5},{"_130":98,"_131":-5,"_21":426,"_35":427,"_143":430,"_103":432,"_150":433,"_154":435,"_53":127,"_155":-5,"_156":436},"gid://shopify/ProductVariant/51619022766344",{"_134":135,"_21":428,"_29":429,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/64942243741960","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_main.png?v=1749125757",{"_145":431,"_147":148},"35.0",{"_53":417,"_108":418},[434],{"_23":123,"_153":127},"SKU-PARR-PARIS-35",[-5],{"_161":438},[439,441,445,449,453,457],{"_164":440},{"_21":428,"_29":429,"_138":-5,"_141":142,"_139":140},{"_164":442},{"_21":443,"_29":444,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942243807496","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_hover.png?v=1749125758",{"_164":446},{"_21":447,"_29":448,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942243774728","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_alternate02.jpg?v=1749125757",{"_164":450},{"_21":451,"_29":452,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942243840264","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_alternate01.jpg?v=1749125758",{"_164":454},{"_21":455,"_29":456,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942243610888","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_alternate03.jpg?v=1749125756",{"_164":458},{"_21":459,"_29":460,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942243709192","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_grandparis_alternate04.jpg?v=1749125757",{"_21":428,"_138":-5,"_141":142,"_29":429,"_139":140},{"_174":463,"_176":464},{"_145":431,"_147":148},{"_145":431,"_147":148},[466,467,469,471,-5,473,-5,479],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":468,"_183":184,"_185":-5},"[{\"value\":30.5,\"unit\":\"CENTIMETERS\"},{\"value\":21.4,\"unit\":\"CENTIMETERS\"},{\"value\":1.0,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":470,"_183":184,"_185":-5},"128",{"_180":380,"_153":472,"_183":184,"_185":-5},"{\"value\":598.0,\"unit\":\"GRAMS\"}",{"_180":383,"_153":474,"_183":385,"_185":475},"[\"gid://shopify/Metaobject/164291117320\",\"gid://shopify/Metaobject/164334076168\"]",{"_188":476},[477,478],{"_21":392,"_108":393},{"_21":389,"_108":390},{"_180":398,"_153":480,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"Published in 2014, \"},{\"type\":\"text\",\"value\":\"Grand Paris\",\"italic\":true},{\"type\":\"text\",\"value\":\" presents Martin Parr's sharp take on the capital, through 40 previously unpublished photographs and some archival footage capturing tourists, events, and everyday scenes. This three-year project for the MEP offers a satirical yet vibrant portrait of contemporary Paris.\"}]}]}",{"_188":482},[483,484,485],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":426,"_35":487,"_143":488,"_103":489,"_150":490,"_154":435,"_53":127,"_155":-5,"_156":492},{"_134":135,"_21":428,"_29":429,"_138":-5,"_139":140,"_141":142},{"_145":431,"_147":148},{"_53":417,"_108":418},[491],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":496,"_53":497,"_107":24,"_108":498,"_110":499,"_25":500,"_113":114,"_115":114,"_116":117,"_118":119,"_120":501,"_159":517,"_170":537,"_172":538,"_156":541,"_186":558,"_197":563,"_205":570,"_207":571},"gid://shopify/Product/10069923037448","Early Works ","early-works-i-martin-parr","\n

Martin Parr was born in 1952 in Epsom, UK. As a child, his budding interest in photography was encouraged by his grandfather, himself an amateur photographer. He then studied photography at Manchester Polytechnic from 1970 to 1973. Since then, Martin Parr has worked on numerous photographic projects. He has left his mark on European visual culture, gradually establishing himself as a major international figure thanks to his innovative imagery and oblique approach to social documentary.

In his series, Martin Parr questions the absurd banality of our daily lives, the vanity of contemporary consumer societies and the multiplication of flows and exchanges in a globalized world. His work is based on a recognizable visual style: with their bold composition and bright colors, lit with flash, his photographs are immediately identifiable. Today, Martin Parr’s images circulate throughout the world and show a desire to capture the world as it is, without filters, while mixing humor and social criticism through this typically English irony.

","Martin Parr was born in 1952 in Epsom, UK. As a child, his budding interest in photography was encouraged by his grandfather, himself an amateur photographer. He then studied photography at Manchester Polytechnic from 1970 to 1973. Since then, Martin Parr has worked on numerous photographic projects. He has left his mark on European visual culture, gradually establishing himself as a major international figure thanks to his innovative imagery and oblique approach to social documentary.In his series, Martin Parr questions the absurd banality of our daily lives, the vanity of contemporary consumer societies and the multiplication of flows and exchanges in a globalized world. His work is based on a recognizable visual style: with their bold composition and bright colors, lit with flash, his photographs are immediately identifiable. Today, Martin Parr’s images circulate throughout the world and show a desire to capture the world as it is, without filters, while mixing humor and social criticism through this typically English irony.",[502],{"_23":123,"_124":503},[504],{"_23":127,"_128":505,"_158":-5},{"_130":98,"_131":-5,"_21":506,"_35":507,"_143":510,"_103":512,"_150":513,"_154":515,"_53":127,"_155":-5,"_156":516},"gid://shopify/ProductVariant/50992719823112",{"_134":135,"_21":508,"_29":509,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/64257125581064","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_earlyworks_main.png?v=1748103399",{"_145":511,"_147":148},"55.0",{"_53":497,"_108":498},[514],{"_23":123,"_153":127},"SKU-PARR-EARLYWORKS-55",[-5],{"_161":518},[519,521,525,529,533],{"_164":520},{"_21":508,"_29":509,"_138":-5,"_141":142,"_139":140},{"_164":522},{"_21":523,"_29":524,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257124958472","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_earlyworks_hover.png?v=1748103399",{"_164":526},{"_21":527,"_29":528,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257124761864","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_earlyworks_alternate01.jpg?v=1748103411",{"_164":530},{"_21":531,"_29":532,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257124827400","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_earlyworks_alternate02.jpg?v=1748103411",{"_164":534},{"_21":535,"_29":536,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257124794632","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_earlyworks_alternate03.jpg?v=1748103411",{"_21":508,"_138":-5,"_141":142,"_29":509,"_139":140},{"_174":539,"_176":540},{"_145":511,"_147":148},{"_145":511,"_147":148},[542,543,545,547,-5,549,554,556],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":544,"_183":184,"_185":-5},"[{\"value\":25.6,\"unit\":\"CENTIMETERS\"},{\"value\":30.7,\"unit\":\"CENTIMETERS\"},{\"value\":2.4,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":546,"_183":184,"_185":-5},"144",{"_180":380,"_153":548,"_183":184,"_185":-5},"{\"value\":1.3,\"unit\":\"KILOGRAMS\"}",{"_180":383,"_153":550,"_183":385,"_185":551},"[\"gid://shopify/Metaobject/164291117320\"]",{"_188":552},[553],{"_21":392,"_108":393},{"_180":395,"_153":555,"_183":184,"_185":-5},"Jeffrey Ladd",{"_180":398,"_153":557,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"Although the color work of Martin Parr (born in 1952 in the United Kingdom) has been widely published, this is the first time that a book has brought together all of his black and white work, which he mostly produced during the 1970s.\"}]}]}",{"_188":559},[560,561,562],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":506,"_35":564,"_143":565,"_103":566,"_150":567,"_154":515,"_53":127,"_155":-5,"_156":569},{"_134":135,"_21":508,"_29":509,"_138":-5,"_139":140,"_141":142},{"_145":511,"_147":148},{"_53":497,"_108":498},[568],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":573,"_53":574,"_107":24,"_108":575,"_110":576,"_25":577,"_113":114,"_115":114,"_116":117,"_118":119,"_120":578,"_159":593,"_170":613,"_172":614,"_156":617,"_186":631,"_197":636,"_205":643,"_207":644},"gid://shopify/Product/10069963047176","Chew Stoke","chew-stoke-martin-parr","\n

A Year in the Life of Chew Stoke Village is the culmination of a yearlong project in which Martin Parr immersed himself in the goings-on of a rural Somerset village on the outskirts of Bristol. At a time when house prices had fallen sharply across the country and young people were struggling to afford to stay in the village, the influx of newcomers had brought slight tensions across the community. However, during the colourful summer fete’s, the nights spent drinking at the local pub, and the many celebrations in between, Parr was able to build connections with the villagers, gaining access to all the village events over the year and an understanding of the people that live there.

Martin Parr is one of the leading documentary photographers of our time. Often described as a ‘chronicler of life’, he is renowned for capturing his unique view of society in a way that enables us to view things that seemed familiar in a completely new way. His work in Chew Stoke is just that; at first glance it may seem to be just quintessential English village life, but Parr’s images bring a sense of ‘human-ness’ to those photographed that makes it easy to form an understanding and connection to the area and the community of Chew Stoke.

Text by Robert Chesshyre and Diane Smyth

","A Year in the Life of Chew Stoke Village is the culmination of a yearlong project in which Martin Parr immersed himself in the goings-on of a rural Somerset village on the outskirts of Bristol. At a time when house prices had fallen sharply across the country and young people were struggling to afford to stay in the village, the influx of newcomers had brought slight tensions across the community. However, during the colourful summer fete’s, the nights spent drinking at the local pub, and the many celebrations in between, Parr was able to build connections with the villagers, gaining access to all the village events over the year and an understanding of the people that live there.Martin Parr is one of the leading documentary photographers of our time. Often described as a ‘chronicler of life’, he is renowned for capturing his unique view of society in a way that enables us to view things that seemed familiar in a completely new way. His work in Chew Stoke is just that; at first glance it may seem to be just quintessential English village life, but Parr’s images bring a sense of ‘human-ness’ to those photographed that makes it easy to form an understanding and connection to the area and the community of Chew Stoke. Text by Robert Chesshyre and Diane Smyth",[579],{"_23":123,"_124":580},[581],{"_23":127,"_128":582,"_158":-5},{"_130":98,"_131":-5,"_21":583,"_35":584,"_143":587,"_103":588,"_150":589,"_154":591,"_53":127,"_155":-5,"_156":592},"gid://shopify/ProductVariant/50992848044296",{"_134":135,"_21":585,"_29":586,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/64257076297992","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_chewstoke_main.png?v=1748103208",{"_145":511,"_147":148},{"_53":574,"_108":575},[590],{"_23":123,"_153":127},"SKU-MARTINPARR-CHEWSTOKE-55",[-5],{"_161":594},[595,597,601,605,609],{"_164":596},{"_21":585,"_29":586,"_138":-5,"_141":142,"_139":140},{"_164":598},{"_21":599,"_29":600,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257076363528","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_chewstoke_hover.png?v=1748103208",{"_164":602},{"_21":603,"_29":604,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257076265224","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_chewstoke_alternate03.jpg?v=1748103207",{"_164":606},{"_21":607,"_29":608,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257076134152","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_chewstoke_alternate01.jpg?v=1748103216",{"_164":610},{"_21":611,"_29":612,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64257076232456","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_chewstoke_alternate02.jpg?v=1748103216",{"_21":585,"_138":-5,"_141":142,"_29":586,"_139":140},{"_174":615,"_176":616},{"_145":511,"_147":148},{"_145":511,"_147":148},[618,619,621,623,-5,625,-5,629],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":620,"_183":184,"_185":-5},"[{\"value\":27.7,\"unit\":\"CENTIMETERS\"},{\"value\":25.8,\"unit\":\"CENTIMETERS\"},{\"value\":1.6,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":622,"_183":184,"_185":-5},"106",{"_180":380,"_153":624,"_183":184,"_185":-5},"{\"value\":882.0,\"unit\":\"GRAMS\"}",{"_180":383,"_153":550,"_183":385,"_185":626},{"_188":627},[628],{"_21":392,"_108":393},{"_180":398,"_153":630,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"Chew Stoke is one of Martin Parr's most striking color series, typical of his Anglo-Saxon vernacular output. It took 30 years for this little-known series to be published.\"}]}]}",{"_188":632},[633,634,635],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":583,"_35":637,"_143":638,"_103":639,"_150":640,"_154":591,"_53":127,"_155":-5,"_156":642},{"_134":135,"_21":585,"_29":586,"_138":-5,"_139":140,"_141":142},{"_145":511,"_147":148},{"_53":574,"_108":575},[641],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":646,"_53":647,"_107":24,"_108":648,"_110":649,"_25":650,"_113":114,"_115":114,"_116":117,"_118":119,"_120":651,"_159":667,"_170":691,"_172":692,"_156":695,"_186":711,"_197":716,"_205":723,"_207":724},"gid://shopify/Product/10284168610056","Martin Parr Retrospective","martin-parr-phaidon","\n

The sharp observation, wit, and vibrant color of Martin Parr’s work since the mid-1980s have made him one of the most renowned and widely loved contemporary photographers, as well as a prominent member of the prestigious Magnum agency. The only comprehensive monograph of Martin Parr’s entire career to date, this second edition has been expanded with new photographs and a previously unpublished chapter focusing on his most recent photographic work, as well as his activities as a filmmaker, curator, collector, and publisher.

The book was published to coincide with his retrospective at the Barbican in London, an exhibition that went on to tour more than ten venues worldwide.

\n
","The sharp observation, wit, and vibrant color of Martin Parr’s work since the mid-1980s have made him one of the most renowned and widely loved contemporary photographers, as well as a prominent member of the prestigious Magnum agency. The only comprehensive monograph of Martin Parr’s entire career to date, this second edition has been expanded with new photographs and a previously unpublished chapter focusing on his most recent photographic work, as well as his activities as a filmmaker, curator, collector, and publisher.The book was published to coincide with his retrospective at the Barbican in London, an exhibition that went on to tour more than ten venues worldwide.",[652],{"_23":123,"_124":653},[654],{"_23":127,"_128":655,"_158":-5},{"_130":98,"_131":-5,"_21":656,"_35":657,"_143":660,"_103":662,"_150":663,"_154":665,"_53":127,"_155":-5,"_156":666},"gid://shopify/ProductVariant/51618968142088",{"_134":135,"_21":658,"_29":659,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/64942173356296","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_main.png?v=1749125529",{"_145":661,"_147":148},"79.95",{"_53":647,"_108":648},[664],{"_23":123,"_153":127},"SKU-PARR-RETRO-79,95",[-5],{"_161":668},[669,671,675,679,683,687],{"_164":670},{"_21":658,"_29":659,"_138":-5,"_141":142,"_139":140},{"_164":672},{"_21":673,"_29":674,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942173225224","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_hover.png?v=1749125529",{"_164":676},{"_21":677,"_29":678,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942172864776","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_alternat01.jpg?v=1749125529",{"_164":680},{"_21":681,"_29":682,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942172897544","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_alternat02.jpg?v=1749125529",{"_164":684},{"_21":685,"_29":686,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942172930312","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_alternat03.jpg?v=1749125529",{"_164":688},{"_21":689,"_29":690,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942173323528","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_phaidon_alternat04.jpg?v=1749125529",{"_21":658,"_138":-5,"_141":142,"_29":659,"_139":140},{"_174":693,"_176":694},{"_145":661,"_147":148},{"_145":661,"_147":148},[696,697,699,701,-5,703,707,709],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":698,"_183":184,"_185":-5},"[{\"value\":25.8,\"unit\":\"CENTIMETERS\"},{\"value\":29.7,\"unit\":\"CENTIMETERS\"},{\"value\":4.3,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":700,"_183":184,"_185":-5},"473",{"_180":380,"_153":702,"_183":184,"_185":-5},"{\"value\":2.9,\"unit\":\"KILOGRAMS\"}",{"_180":383,"_153":550,"_183":385,"_185":704},{"_188":705},[706],{"_21":392,"_108":393},{"_180":395,"_153":708,"_183":184,"_185":-5},"Val Williams ",{"_180":398,"_153":710,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"This encyclopedia dedicated to Martin Parr traces his long career, accompanied by an essay written by his long-time friend and collaborator, Val Williams.\"}]}]}",{"_188":712},[713,714,715],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":656,"_35":717,"_143":718,"_103":719,"_150":720,"_154":665,"_53":127,"_155":-5,"_156":722},{"_134":135,"_21":658,"_29":659,"_138":-5,"_139":140,"_141":142},{"_145":661,"_147":148},{"_53":647,"_108":648},[721],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":726,"_53":727,"_107":728,"_108":729,"_110":730,"_25":731,"_113":114,"_115":114,"_116":117,"_118":119,"_120":732,"_159":748,"_170":768,"_172":769,"_156":772,"_186":787,"_197":792,"_205":799,"_207":800},"gid://shopify/Product/10370348024072","WORLD (The Price of Love) - signed","IDEA Books","world-the-price-of-love","France’s famous seaside town setting mixed perfectly with the characters dressed in the collection to create vivid images for the book, according to the documentary style British photographer, who spoke more about the shoot below.

What spirit were you trying to capture from Cannes and the Côte d’Azur in the photos?
I was trying to capture the spirit of Cannes and how I believe the general public see or understand it, and combine it with the back drop of the Gucci Cruise 2019 collection and our characters.

How does the famous French holiday destination compare to other seaside locations—are there some similar aspects between Cannes and New Brighton?
Cannes by nature is always a bit posh, so that is quite a different to location if compared to say New Brighton in the UK that I have shot many times, I always play to be strengths of the location and what is naturally visible or happening at that time.

When was the last time you shot there and how has it changed?
I believe I first came to Cannes 25 years ago to shoot the Film Festival, that week in May is always something quite different to the rest of the year in Cannes, it was crazy then and I am sure it’s even crazier now, I don’t think it’s really changed in its essence, however there is a larger diversity of people from around the world there now.

How did you want to convey the clothes from the collection as part of the image?
I try to incorporate the Gucci clothing and our characters into the backdrop of Cannes… it’s the sort of person that you would really see there.

Interview by Finn Blythe","France’s famous seaside town setting mixed perfectly with the characters dressed in the collection to create vivid images for the book, according to the documentary style British photographer, who spoke more about the shoot below. What spirit were you trying to capture from Cannes and the Côte d’Azur in the photos? I was trying to capture the spirit of Cannes and how I believe the general public see or understand it, and combine it with the back drop of the Gucci Cruise 2019 collection and our characters. How does the famous French holiday destination compare to other seaside locations—are there some similar aspects between Cannes and New Brighton? Cannes by nature is always a bit posh, so that is quite a different to location if compared to say New Brighton in the UK that I have shot many times, I always play to be strengths of the location and what is naturally visible or happening at that time.When was the last time you shot there and how has it changed? I believe I first came to Cannes 25 years ago to shoot the Film Festival, that week in May is always something quite different to the rest of the year in Cannes, it was crazy then and I am sure it’s even crazier now, I don’t think it’s really changed in its essence, however there is a larger diversity of people from around the world there now. How did you want to convey the clothes from the collection as part of the image? I try to incorporate the Gucci clothing and our characters into the backdrop of Cannes… it’s the sort of person that you would really see there. Interview by Finn Blythe",[733],{"_23":123,"_124":734},[735],{"_23":127,"_128":736,"_158":-5},{"_130":98,"_131":-5,"_21":737,"_35":738,"_143":741,"_103":743,"_150":744,"_154":746,"_53":127,"_155":-5,"_156":747},"gid://shopify/ProductVariant/51817816850696",{"_134":135,"_21":739,"_29":740,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/66183064649992","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_gucci_main.png?v=1750848010",{"_145":742,"_147":148},"280.0",{"_53":727,"_108":729},[745],{"_23":123,"_153":127},"SKU-WORLD-GUCCI-MARTINPARR",[-5],{"_161":749},[750,752,756,760,764],{"_164":751},{"_21":739,"_29":740,"_138":-5,"_141":142,"_139":140},{"_164":753},{"_21":754,"_29":755,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66183065927944","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_gucci_hover.png?v=1750848011",{"_164":757},{"_21":758,"_29":759,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196797260040","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_gucci_additionals01.jpg?v=1750859902",{"_164":761},{"_21":762,"_29":763,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196797489416","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_gucci_additionals02.jpg?v=1750859902",{"_164":765},{"_21":766,"_29":767,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196797456648","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_gucci_additionals03.jpg?v=1750859902",{"_21":739,"_138":-5,"_141":142,"_29":740,"_139":140},{"_174":770,"_176":771},{"_145":742,"_147":148},{"_145":742,"_147":148},[773,774,776,778,-5,780,-5,785],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":775,"_183":184,"_185":-5},"[{\"value\":25.6,\"unit\":\"CENTIMETERS\"},{\"value\":19.2,\"unit\":\"CENTIMETERS\"},{\"value\":2.4,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":777,"_183":184,"_185":-5},"176",{"_180":380,"_153":779,"_183":184,"_185":-5},"{\"value\":836.0,\"unit\":\"GRAMS\"}",{"_180":383,"_153":781,"_183":385,"_185":782},"[\"gid://shopify/Metaobject/164334076168\"]",{"_188":783},[784],{"_21":389,"_108":390},{"_180":398,"_153":786,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"Palm trees swaying against a blue sky, women tanning on loungers by La Promenade de la Croisette, and the Gucci tribe amongst it all wearing colourful pieces from Cruise 2019.Martin Parr captures scenes in Cannes for Gucci’s limited-edition photographic book ‘WORLD (The Price of Love)’ named after the song by British post-punk band New Order. \"}]}]}",{"_188":788},[789,790,791],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":737,"_35":793,"_143":794,"_103":795,"_150":796,"_154":746,"_53":127,"_155":-5,"_156":798},{"_134":135,"_21":739,"_29":740,"_138":-5,"_139":140,"_141":142},{"_145":742,"_147":148},{"_53":727,"_108":729},[797],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":802,"_53":803,"_107":804,"_108":805,"_110":806,"_25":807,"_113":114,"_115":114,"_116":117,"_118":119,"_120":808,"_159":824,"_170":844,"_172":845,"_156":848,"_186":862,"_197":867,"_205":874,"_207":875},"gid://shopify/Product/10284176769288","Small World","Dewi Lewis Publishing","martin-parr-small-world","

\n\n

First published in 1996, Small World is one of Martin Parr's most popular and important books. This revised and expanded edition includes over 80 photographs and features many of Martin Parr's most iconic images.

This is a biting and very funny satire in which Martin Parr examines tourism around the world, exposing the increasingly homogenous \"global culture\" where, in the search for different cultures, those same cultures are destroyed. In a world of \"carbon footprints,\" global warming, and the climate crisis, the questions Martin Parr raised nearly thirty years ago, when the book was first published, are even more relevant today.

While Martin Parr's larger-than-life troupe of tourists appears to be willing participants in a pervasive consumer culture, they are also bewildered victims, at the mercy of larger social forces and trapped by their own insatiable thirst for spectacle. The citizens of Small World become a symbol of the thriving freedoms of Western society, declaring their power and right to travel, choose, and consume.

A member of Magnum Photos, Martin Parr is one of the most renowned photographers in the world today. He has published countless books and his work has been exhibited and published worldwide.

\n\n\n

","First published in 1996, Small World is one of Martin Parr's most popular and important books. This revised and expanded edition includes over 80 photographs and features many of Martin Parr's most iconic images. This is a biting and very funny satire in which Martin Parr examines tourism around the world, exposing the increasingly homogenous \"global culture\" where, in the search for different cultures, those same cultures are destroyed. In a world of \"carbon footprints,\" global warming, and the climate crisis, the questions Martin Parr raised nearly thirty years ago, when the book was first published, are even more relevant today. While Martin Parr's larger-than-life troupe of tourists appears to be willing participants in a pervasive consumer culture, they are also bewildered victims, at the mercy of larger social forces and trapped by their own insatiable thirst for spectacle. The citizens of Small World become a symbol of the thriving freedoms of Western society, declaring their power and right to travel, choose, and consume. A member of Magnum Photos, Martin Parr is one of the most renowned photographers in the world today. He has published countless books and his work has been exhibited and published worldwide.",[809],{"_23":123,"_124":810},[811],{"_23":127,"_128":812,"_158":-5},{"_130":98,"_131":-5,"_21":813,"_35":814,"_143":817,"_103":819,"_150":820,"_154":822,"_53":127,"_155":-5,"_156":823},"gid://shopify/ProductVariant/51619011100936",{"_134":135,"_21":815,"_29":816,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/64942218477832","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_smallworld_main.png?v=1749125670",{"_145":818,"_147":148},"50.0",{"_53":803,"_108":805},[821],{"_23":123,"_153":127},"SKU-SMALL-PARR-50",[-5],{"_161":825},[826,828,832,836,840],{"_164":827},{"_21":815,"_29":816,"_138":-5,"_141":142,"_139":140},{"_164":829},{"_21":830,"_29":831,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942218608904","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_smallworld_hover.png?v=1749125670",{"_164":833},{"_21":834,"_29":835,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942218379528","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_smallworld_alternate01.jpg?v=1749125669",{"_164":837},{"_21":838,"_29":839,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942218674440","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_smallworld_alternate02.jpg?v=1749125671",{"_164":841},{"_21":842,"_29":843,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/64942218445064","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_smallworld_alternate03.jpg?v=1749125670",{"_21":815,"_138":-5,"_141":142,"_29":816,"_139":140},{"_174":846,"_176":847},{"_145":818,"_147":148},{"_145":818,"_147":148},[849,850,852,854,-5,856,-5,860],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":851,"_183":184,"_185":-5},"[{\"value\":30.2,\"unit\":\"CENTIMETERS\"},{\"value\":25.7,\"unit\":\"CENTIMETERS\"},{\"value\":1.6,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":853,"_183":184,"_185":-5},"112",{"_180":380,"_153":855,"_183":184,"_185":-5},"{\"value\":1.0,\"unit\":\"KILOGRAMS\"}",{"_180":383,"_153":781,"_183":385,"_185":857},{"_188":858},[859],{"_21":389,"_108":390},{"_180":398,"_153":861,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"New and revised edition of Martin Parr's classic Small World.\"}]}]}",{"_188":863},[864,865,866],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":813,"_35":868,"_143":869,"_103":870,"_150":871,"_154":822,"_53":127,"_155":-5,"_156":873},{"_134":135,"_21":815,"_29":816,"_138":-5,"_139":140,"_141":142},{"_145":818,"_147":148},{"_53":803,"_108":805},[872],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":877,"_53":878,"_107":879,"_108":880,"_110":881,"_25":882,"_113":114,"_115":114,"_116":117,"_118":119,"_120":883,"_159":899,"_170":919,"_172":920,"_156":923,"_186":939,"_197":944,"_205":951,"_207":952},"gid://shopify/Product/10361564004616","Last resort","André frère","last-resort","

Almost a quarter of a century after its publication, it is hard to underestimate the importance of The Last Resort, both for British photography and for Martin Parr’s career. Martin Parr made The Last Resort from 1982 to 1985.

Between satire and cruelty – not without a certain tenderness for his fellow Britons – he portrays families of modest means taking their holidays in New Brighton near Liverpool, a small seaside resort in decline. What should have looked like a summer district, put through Parr’s mill, suddenly takes on the air of an industrial zone.

in The Last Resort, Martin Parr evokes his nostalgia for the 1960s with biting irony. He denounces the end of a world (the working class world) and its values, as well as the advent of a new, consumerist conception of life. A key publication in Martin Parr’s oeuvre, with a foreword by Gerry Badger.

Martin Parr (born 1952) is one of the best known documentary photographers of his generation. He is a key figure in the art world both for his photographic work and for his involvement as a curator. In 2017 he opened the Martin Parr Foundation in Bristol, dedicated to promoting British documentary photography. He is member of the Magnum agency since 1994, of which he was also president from 2013 to 2017. He has published more than 100 books. His work is included in several major museum collections and has been the subject of a retrospective at the National Portrait Gallery in London in 2019. Martin Parr is represented by Kamel Mennour, Paris/London.

","Almost a quarter of a century after its publication, it is hard to underestimate the importance of The Last Resort, both for British photography and for Martin Parr’s career. Martin Parr made The Last Resort from 1982 to 1985. Between satire and cruelty – not without a certain tenderness for his fellow Britons – he portrays families of modest means taking their holidays in New Brighton near Liverpool, a small seaside resort in decline. What should have looked like a summer district, put through Parr’s mill, suddenly takes on the air of an industrial zone. in The Last Resort, Martin Parr evokes his nostalgia for the 1960s with biting irony. He denounces the end of a world (the working class world) and its values, as well as the advent of a new, consumerist conception of life. A key publication in Martin Parr’s oeuvre, with a foreword by Gerry Badger.Martin Parr (born 1952) is one of the best known documentary photographers of his generation. He is a key figure in the art world both for his photographic work and for his involvement as a curator. In 2017 he opened the Martin Parr Foundation in Bristol, dedicated to promoting British documentary photography. He is member of the Magnum agency since 1994, of which he was also president from 2013 to 2017. He has published more than 100 books. His work is included in several major museum collections and has been the subject of a retrospective at the National Portrait Gallery in London in 2019. Martin Parr is represented by Kamel Mennour, Paris/London.",[884],{"_23":123,"_124":885},[886],{"_23":127,"_128":887,"_158":-5},{"_130":98,"_131":-5,"_21":888,"_35":889,"_143":892,"_103":894,"_150":895,"_154":897,"_53":127,"_155":-5,"_156":898},"gid://shopify/ProductVariant/51795537133832",{"_134":135,"_21":890,"_29":891,"_138":-5,"_139":140,"_141":142},"gid://shopify/ProductImage/65917545611528","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_lastresort_main.png?v=1750523153",{"_145":893,"_147":148},"39.5",{"_53":878,"_108":880},[896],{"_23":123,"_153":127},"SKU-PARR-THELASTRESORT-39,5",[-5],{"_161":900},[901,903,907,911,915],{"_164":902},{"_21":890,"_29":891,"_138":-5,"_141":142,"_139":140},{"_164":904},{"_21":905,"_29":906,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/65917545480456","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_lastresort_hover.png?v=1750523153",{"_164":908},{"_21":909,"_29":910,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196710752520","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_lastresort_additional01.jpg?v=1750859847",{"_164":912},{"_21":913,"_29":914,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196711604488","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_lastresort_additional02.jpg?v=1750859848",{"_164":916},{"_21":917,"_29":918,"_138":-5,"_141":142,"_139":140},"gid://shopify/ProductImage/66196709507336","https://cdn.shopify.com/s/files/1/0932/5471/3608/files/maisoncf_martinparr_lastresort_additional03.jpg?v=1750859847",{"_21":890,"_138":-5,"_141":142,"_29":891,"_139":140},{"_174":921,"_176":922},{"_145":893,"_147":148},{"_145":893,"_147":148},[924,925,927,929,-5,931,935,937],{"_180":181,"_153":182,"_183":184,"_185":-5},{"_180":374,"_153":926,"_183":184,"_185":-5},"[{\"value\":24.9,\"unit\":\"CENTIMETERS\"},{\"value\":30.4,\"unit\":\"CENTIMETERS\"},{\"value\":1.5,\"unit\":\"CENTIMETERS\"}]",{"_180":377,"_153":928,"_183":184,"_185":-5},"84",{"_180":380,"_153":930,"_183":184,"_185":-5},"{\"value\":785.0,\"unit\":\"GRAMS\"}",{"_180":383,"_153":550,"_183":385,"_185":932},{"_188":933},[934],{"_21":392,"_108":393},{"_180":395,"_153":936,"_183":184,"_185":-5},"Gerry Badger",{"_180":398,"_153":938,"_183":184,"_185":-5},"{\"type\":\"root\",\"children\":[{\"type\":\"paragraph\",\"children\":[{\"type\":\"text\",\"value\":\"\\\"This unprecedented tone, of which Parr was a major pioneer, was not limited to the British Isles. It also marked the beginning of a period of vigorous renewal in European photography, and the emergence of a movement later known as the \\\"New European Color Photography.\\\" Gerry Badger\"}]}]}",{"_188":940},[941,942,943],{"_108":191,"_53":182},{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":888,"_35":945,"_143":946,"_103":947,"_150":948,"_154":897,"_53":127,"_155":-5,"_156":950},{"_134":135,"_21":890,"_29":891,"_138":-5,"_139":140,"_141":142},{"_145":893,"_147":148},{"_53":878,"_108":880},[949],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},{"_21":954,"_53":955,"_107":24,"_108":956,"_110":957,"_25":958,"_113":114,"_115":114,"_116":117,"_118":119,"_120":959,"_159":975,"_170":995,"_172":996,"_156":999,"_186":1014,"_197":1020,"_205":1027,"_207":1028},"gid://shopify/Product/10070387425544","Belfast","belfast-gilles-favier","

\"I subscribe to Reporter-Objectif, a monthly photography magazine. It explains how to become a war correspondent and gives a lot of very useful practical advice such as: how to choose the right bag, the right camera, the right shoes... The most affordable conflict, according to the magazine, the cheapest for apprentice photographers like me, is that of Northern Ireland. You have to take the bus from La Madeleine in the evening around 10 p.m., then a boat from Calais in the middle of the night, a train to London where you change stations for another train to Stranraer in Scotland, and finally the ferry to Larne, before a last bus to Belfast. Two days of rainy travel guaranteed, a crossing that is never convenient, but an unbeatable price for the time...\"

This is how Gilles Favier's collection of photographs of Belfast opens in 1981. Undoubtedly one of the most talented photographers of his generation, he obsessively returns to this territory year after year, right up to the present day, where Ireland is back in the news with Brexit. This book also follows the evolution of its author's photographic style, and the transition from black and white to color.

\"The ambition, expressed in a somewhat provocative way in its assumed nonchalance, could seem simply personal (a young man in search of adrenaline in contact with History in the making), if it did not lead, almost forty years later, to a corpus of exceptional, difficult and profoundly human images, bearing witness to the dramas and joys (sometimes) of a combative but wounded population. […] The tone is dark, like the whole of a book full of tears and rage, at a time when identities are rearming, and when the effort to create civilization proves impossible for many.\", Fabien Ribery, L'Intervalle, June 2, 2018

","\"I subscribe to Reporter-Objectif, a monthly photography magazine. It explains how to become a war correspondent and gives a lot of very useful practical advice such as: how to choose the right bag, the right camera, the right shoes... The most affordable conflict, according to the magazine, the cheapest for apprentice photographers like me, is that of Northern Ireland. You have to take the bus from La Madeleine in the evening around 10 p.m., then a boat from Calais in the middle of the night, a train to London where you change stations for another train to Stranraer in Scotland, and finally the ferry to Larne, before a last bus to Belfast. Two days of rainy travel guaranteed, a crossing that is never convenient, but an unbeatable price for the time...\"This is how Gilles Favier's collection of photographs of Belfast opens in 1981. Undoubtedly one of the most talented photographers of his generation, he obsessively returns to this territory year after year, right up to the present day, where Ireland is back in the news with Brexit. This book also follows the evolution of its author's photographic style, and the transition from black and white to color.\"The ambition, expressed in a somewhat provocative way in its assumed nonchalance, could seem simply personal (a young man in search of adrenaline in contact with History in the making), if it did not lead, almost forty years later, to a corpus of exceptional, difficult and profoundly human images, bearing witness to the dramas and joys (sometimes) of a combative but wounded population. 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This book traces his obsessive journey through this wounded city, capturing its political and social transformations over four decades, from black and white to color. A powerful work where the intimate meets history, while Brexit is now rekindling the fractures of this territory.\"}]}]}",{"_188":1015},[1016,1018,1019],{"_108":1017,"_53":1001},"gilles-favier",{"_108":404,"_53":54},{"_108":193,"_53":194},{"_130":98,"_131":-5,"_21":964,"_35":1021,"_143":1022,"_103":1023,"_150":1024,"_154":973,"_53":127,"_155":-5,"_156":1026},{"_134":135,"_21":966,"_29":967,"_138":-5,"_139":140,"_141":142},{"_145":969,"_147":148},{"_53":955,"_108":956},[1025],{"_23":123,"_153":127},[-5],[],{"_25":-5,"_53":-5},"actionData","errors"]